ROLE: VIDEOGRAPHER / DIRECTOR / EDITOR ROLE: HEAD OF PRODUCTION / PRODUCTION MANAGER LONDON, UK

Rowan Moss

I direct, light, shoot and edit for TV and digital. High-end sit-down interviews, multi-camera podcast set-ups and beautiful actuality. I'm a one-stop shop for digital and broadcast productions.

Over a decade in unscripted TV and digital. Specialist in running several projects simultaneously; budgets, schedules, compliance, contracts and logistics. Bringing compliance-heavy TV workflows to digital teams.

WorkDOP / EDITOR2013 — PRESENT
GONDWANAGondwana Podcast
Gondwana Podcast
DOP / EDITOR — CLIENT · 2026
LLLLive, Laugh, Luke
Live, Laugh, Luke
DOP / EDITOR — CLIENT · 2026
SLEEP ONSleep On
Sleep On
DOP / EDITOR — CLIENT · 2026
UCLUCL Off Pitch
UCL Off Pitch
HEAD OF PRODUCTION — UEFA / YOUTUBE · 2025
ERASEras: Queen
Eras: Queen
HEAD OF PRODUCTION — BBC iPLAYER · 2025
STRANDEDStranded: The Wash Up
Stranded: The Wash Up
HEAD OF PRODUCTION — BBC iPLAYER · 2025
TURBULENCETurbulence: How Safe is Your Flight?
Turbulence: How Safe is Your Flight?
PRODUCTION MANAGER — ITV · 2024
TFEToughest Forces on Earth
Toughest Forces on Earth
PRODUCTION MANAGER — NETFLIX · 2023
TIPPETTMichael Tippett, The Shadow and the Light
Michael Tippett, The Shadow and the Light
PRODUCTION MANAGER — BBC TWO · 2023
FLHHFirst Ladies of Hip Hop
First Ladies of Hip Hop
PRODUCTION MANAGER — BBC TWO · 2022
RHPHRich House Poor House
Rich House Poor House
PRODUCTION MANAGER — CHANNEL 5 · 2022
RTKReleased to Kill
Released to Kill
PRODUCTION MANAGER — CBS REALITY · 2021
SLUSecrets of the London Underground
Secrets of the London Underground
PRODUCTION MANAGER — YESTERDAY · 2021
MOPThe Moment of Proof
The Moment of Proof
PRODUCTION MANAGER — BBC ONE · 2020
ITAInside the Ambulance
Inside the Ambulance
PRODUCTION MANAGER — CHANNEL W · 2019
FSHFraud Squad: The Hunt
Fraud Squad: The Hunt
PRODUCTION MANAGER — BBC ONE · 2019
FSNFraud Squad: NHS
Fraud Squad: NHS
PRODUCTION MANAGER — BBC ONE · 2018
SURGEONSSurgeons: At the Edge of Life
Surgeons: At the Edge of Life
PRODUCTION COORDINATOR — BBC TWO · 2017
UNDATEABLESThe Undateables
The Undateables
PRODUCTION COORDINATOR — CHANNEL 4 · 2016
24H A&E24 Hours in A&E
24 Hours in A&E
PA / DIT — CHANNEL 4 · 2014
24H CUSTODY24 Hours in Police Custody
24 Hours in Police Custody
PA — CHANNEL 4 · 2014

Deep understanding of high-end camera workflows, offline/online editing, and colour grading.

The agility of a digital-first Head of Production, backed by the rigorous compliance of an 11-year career in TV production.

— FROM THE CV

AboutLONDON, UK

I professionally direct, shoot and edit for digital-first audiences. From sit-down interviews to multi-camera podcast set-ups and beautiful actuality, I use Sony cinema bodies, dynamic lighting solutions and finish it all in DaVinci Resolve.

In addition to these technical proficiencies, I'm passionate about working with clients to bring their vision to reality, either following a brief closely or taking a more prominent creative role when it comes to look and style.

I edit from assembly through to delivery, shaping narrative and emotional response through pacing, music, visual effects and colour grade. I'm a creative self-starter, but stay flexible and ready to change course when a client calls for it.

The other half of my career comprises over a decade in production management for broadcast TV and digital, meaning I understand the needs of a production. I can advise realistically on budget, suggest efficient workflows to save everyone time, and understand the importance of details such as the tech spec, compliance requirements and file delivery.

As Head of Production at a digital production company for the last 18 months, I have overseen all output across multi-platform formats, including YouTube series, digital programming for BBC iPlayer, Spotify podcasts, and linear television. Highlight projects include 'Stranded: The Wash Up' for BBC iPlayer, 'UCL Off Pitch' for UEFA on YouTube and creator-led 'Live, Laugh, Luke' for Spotify.

Before this, I spent 11 years progressing through unscripted TV, spending the last 6 of those years as a Production Manager delivering projects for broadcasters including BBC, Channel 4 and Netflix. This provided an incredibly solid grounding in vital areas like health and safety, compliance, budgeting, and music/archive licensing; skills that are sometimes overlooked on smaller digital projects. Through this work I have built a roster of trusted and talented freelancers in video, sound and post-production.

I bring the agility of a digital-first Head of Production, backed by the rigorous compliance of an 11-year career in TV production.

PHOTORowan Moss

Tell me what
you're making.

rowan@rowanmoss.com
LINKEDIN: in/rowan-moss LONDON, UK